ExitComps Sold comps for micro-acquisitions

Valuation guide

How to make an offer on an online business

Most offers on a small online business start from the asking price and work downward by feel. That is a negotiation about the seller's number. This page builds the other kind: an offer assembled from what comparable businesses actually sold for, which survives the question "where did you get that?".

01

Start from a band, not a point

There is no single correct price for a small online business, and an offer that pretends otherwise is easy to argue with. Comparable sales do not produce a price; they produce a spread, and the spread is what you negotiate inside. Our own estimator never returns one number for exactly this reason — it returns the 25th, 50th and 75th percentile of the multiples that comparable sales actually cleared at.

So the first move is to replace "what is it worth?" with three narrower questions you can answer from evidence: what did similar businesses sell for, is this business similar enough for that to mean anything, and where inside the band does this specific deal belong. The rest of this page is those three questions in order.

02

The arithmetic behind the band

An offer band is one multiplication, run three times. Take the business's trailing-twelve-month figure, and multiply it by the low, middle and high multiple of the comparable sales:

offer band = TTM figure × (p25, p50, p75 multiple of comparable sales)

Four details decide whether that band is worth anything, and all four are things you should be able to state out loud before you send a number.

  1. Which figure. If the business has positive trailing-twelve-month profit, profit is the basis and profit comps are the comparison set. If it does not, the basis falls back to revenue — a different question with a different answer. Our calculator picks the basis from your own inputs the same way, so which multiple you are quoting is never ambiguous.
  2. Twelve months of it. A monthly figure multiplied by twelve assumes a flat year. Where a listing leaves us no alternative we do that arithmetic and grade the row estimated so it stays visible; in your own offer, ask for the twelve monthly figures and see whether the multiple is monthly or annual before you multiply anything.
  3. Enough comparable sales. Five is our floor: under five usable comps we publish nothing rather than a number one more deal would move. Once a sample reaches twenty we trim the extreme 5% at each end before taking percentiles, because a single 40× outlier otherwise sets the top of your band. How many comps a valuation needs goes through the floor in detail.
  4. Recent sales, named venues. A band assembled from four-year-old deals on a marketplace you have never heard of is not the market you are buying in. Ask of any band — ours included — how many sales, over what dates, from which venues.
03

Does the band even apply to this business?

Comp sizes and sold-price bands read live from /api/stats when this page loads.

This is the check most offers skip. A band built from comparable sales only transfers to your deal if your deal is in the same weight class as those sales. Our report flags a size mismatch when the subject's own figure is four times larger or four times smaller than the median comp's — past that ratio the percentile band is describing a different market, and you should treat it as background rather than as evidence.

The table below is the input to that check: for each asset type we hold, the size of the median comparable sale and the middle half of what those comps sold for. Find your asset type, compare its median comp size against the business in front of you, and only then read the price band.

Comparable-sale sizes and sold-price bands by asset type — live from /api/stats
Asset typeBasis shownComps usedMedian comp size (stated TTM)Sold price — middle half
Loading live figures from /api/stats…

"Basis shown" is the profit comp set where we publish one, and the revenue set otherwise; your own figures decide which set your deal is actually priced against. "Comps used" is the count left after the outlier trim, drawn from the most recent 200 sales we hold for that type. The band is the 25th to 75th percentile of those comps' sold prices — the middle half, not the full range.

04

Where inside the band this deal sits

The band's midpoint is the default, and everything that follows is an argument for moving off it. Each of these is checkable before you send an offer, which is what makes it usable as a reason rather than as a feeling.

Moves the number up
  • Earnings you could verify. Platform dashboards and payment-processor exports shown live, not a spreadsheet emailed to you.
  • Demand that is not borrowed. Traffic or revenue across several sources, so one algorithm change is not the whole business.
  • A record long enough to have a trend. Twelve months or more, with the monthly series visible rather than a single annualized month.
  • Everything transfers cleanly. Accounts, contracts, suppliers and content rights move with the asset, and the seller can show they are transferable.
Moves the number down
  • One traffic or revenue source. Concentration is the most common reason two near-identical businesses clear very different prices.
  • Figures that exist only as claims. Stated profit is the market's input, not a fact; if it cannot be checked, it should not be paid for at the top of the band.
  • Work you are buying with it. Migrations, rebuilds and a founder whose personal audience is the demand are costs that land after closing.
  • A short or declining history. A trailing-twelve-month figure that is falling is a forecast, and the multiple you pay should reflect which direction it points.

The long forms: why near-identical businesses sell for very different prices, which add-backs survive, and the checklist for sub-$100k deals.

05

Three sanity checks before you send it

  1. Read your offer back as a payback period. Divide the number by the annual profit you believe. If the answer is a number of years you would not personally underwrite at this level of verification, the multiple is wrong regardless of what the comps say. The payback framing is the same arithmetic from the other end.
  2. Add the costs that are not the price. Escrow and marketplace fees, migration, the first months of your own time, and any tooling the seller was getting for free. The comparable sales are prices, not total costs of ownership; your budget is the second thing.
  3. Ignore the ask, and ignore the bid. An asking price is the seller's opening position, and an auction's unmet-reserve high bid is nobody's purchase. Neither belongs in your arithmetic — asking price vs sold price sets out why both mislead in opposite directions.
06

Write the offer so it can be argued with

An offer that states its own basis invites a correction rather than a stalemate. If the seller thinks you are wrong, you want them arguing about an input you named — not about whether you are serious. Four lines are usually enough:

  1. The figure and its period. "$18,400 of trailing-twelve-month profit to 31 August, as stated in the listing."
  2. The band and where you sat in it. "Comparable sales in this category cleared at a middle-half multiple of X to Y; I am offering near the midpoint."
  3. What would move you. "Live dashboard access for the twelve monthly figures would move me toward the top of that band."
  4. What the offer is conditional on. Verification, transfer of the named accounts, and a closing date.

The seller may hold a better comp set than you do. That is a good outcome: comps you had not seen either move your number or fail to, and both are cheaper than discovering the gap after closing.

Related: what makes a sold comp comparable · what small online businesses sell for · how these figures are computed · all valuation guides